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Her work entitled Self-Portrait is a piece she performed on the streets of Rijeka, destroying a washing machine with an axe. A young girl in flowery summer dress destroying a washing machine to pieces in public space with an axe is a violently contradicting image which acts as a liberating scene and a catharsis of stereotypes.
The series revolves around the issue of craft, craftsmanship and the place it occupies in contemporary society. Without any clearly distinguishable style, they evoke the furniture of the nineteenth century, the attributes of the bourgeoisie, political symbols of a declined era, object of everyday use or ambiguous, anachronistic, mundane-looking elements of unusual size with unknown function, usage, or meaning, yet movingly intimate.
News from Nowhere is a familiar yet mysterious set of artefacts reifying the process of identification, a riddle to which only she has the keys and codes although generic enough to immediately recall upon the viewers own memories.