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The gelatine silver prints enlarged for this occasion were made from the original slide positives dated 1975, for which Katalin Ladik used printed circuits serving as musical scores. The conceptual background of the works was governed by the realization that throughout the 20 th century we witnessed how communications systems got outdated in especially rapid succession. Each new stage of technological evolution entailed the end of a previous era, and each stage had left behind objects that seemed archaic.
In the present case, printed circuits of fascinating visual representation, which, having lost their former functionality, are transposed into visual poetry via Ladiks poetically performative approach.