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In the text generated in this finale, there were surely no recognizable traces of An ABZ of Love and few of language in any conventional sense. The screens filled up with individual words and phrases lined up as if they were language.
And they have an afterlife because in the process of living, they are also dying, or at least, departing, taking-leave from themselves and this from their birth.
12 Its this taking leave from themselves that begins the moment a work comes into being that appeals to me, for reasons that I hope the above description has clarified. Where I obviously depart from Benjamin is with regards to the translatability of translation: for him, translation is the limit, the threshold beyond which there is no further translation.